Trackstack

June 2026

Trackstack collection screen showing records arranged on shelves, with genre folders above and navigation controls below.

The challenge

In the final semester of my Communication and Multimedia Design degree, I was challenged to apply everything I had learned by researching a self selected problem and designing a meaningful solution. For this, I created Trackstack.

Trackstack home screen featuring a new Beyoncé release and a feed of recently reviewed records. Trackstack activity feed showing friends adding records to their collections, rating albums, and following one another. Trackstack record page for Minecraft: Volume Alpha, with collection buttons and a price meter comparing €31 and €36.

The Problem

For this project, I drew on my passion for music and vinyl collecting to explore the frustrations experienced by record collectors. As collections grow, keeping track of every record becomes increasingly difficult. On top of that, with records being sold across countless online stores, local shops, and marketplaces, finding the best deal often requires a lot of time and effort.

The app

Trackstack is an app that addresses these challenges by offering practical tools for vinyl collectors. Users can manage their collection, compare purchase options for any record across different retailers, and receive personalised recommendations based on their listening habits, collection, and wishlist.

The style

For this app, I wanted to create a visual style that captures the nostalgic and personal feeling of playing a physical record. Through my research, I discovered that this emotional connection is one of the main motivations for people to collect records today. To achieve this, I combined elements of older skeuomorphic and aqua design styles with modern glass design. User testing showed that this visual direction successfully conveyed the nostalgic and special feeling associated with physical records.

Trackstack add-record screen for Cid Rim's Songs of Vienna, showing a yellow 2026 pressing, collection details, and a four-and-a-half-star review.

Social platform

During interviews with the target audience, I discovered another important need: a social platform where collectors could share their opinions, collections, and wishlists. Based on this insight, I made social interaction a core part of the app. Users can rate and review albums in their collection, explore other collectors' profiles, and receive personalised recommendations based on the music their friends enjoy. This strengthens the social experience that has always been an important part of vinyl collecting.

Trackstack review detail showing a friend rating Beyoncé's Renaissance five stars, with their written review and a comment.

Version selection

One of the biggest frustrations with other platforms collectors use to keep track of their records, is the difficult and unclear version selection. A lot of albums have a lot of different pressings, versions or editions, and it can become very difficult to know which exact version you have. During the interviews, I discovered that a strong majority of collectors don't care about which exact repress they've got. So to greatly simplify the selecting of a version, I grouped all identical looking represses under one option and laid out other versions in a clear way.

Trackstack recommendations screen with genre filters and suggested records, including albums by Beyoncé, John Mayer, Fontaines D.C., and Yemi Alade. Trackstack version selector for Cid Rim's Songs of Vienna, listing represses and 2021 white and 2026 yellow pressings.

Explore the project

Go through the design rationale (in Dutch), click through the app, and watch the showcase!

Open the design rationale Try out the app

The result

During this project, I conducted thorough research, mapped user needs, explored concepts, and translated my findings into an app with a unique visual style. And I am happy to report that user testing showed that a strong majority of collectors would confidently use an app like this, validating the concept and design solution.

This project combines everything I learned at and outside of CMD, valuable expertise from Concerto & Plato owner Dick van Dijk, and insights gathered from everyone who participated in the interviews and user tests. With my personal passion for music and design at the centre of it all. I am incredibly proud of the result and hope to continue developing this concept into a functional product in the future.